Saturday, October 4, 2014

Style of Masters of War

In the live version of “Masters of War”, Bob Dylan usually starts out with a guitar intro and talks to the audience. He tells them how “some people see this song…as very naive” but he doesn't care because he hopes that the real-life masters of war die. The fact that he takes the time to address his position and defend his beliefs from any critics is significant because it shows how Dylan was determined to spread his message no matter what people thought of the song. He contrasts the violence and horror of the lyrics with the peaceful quality of his voice. Only Dylan could sing about blood running into the mud or watching the masters of war being lowered into their graves and still keep up the folk music quality of the song. The contrast between what he is saying and the calming effects of his voice and guitar chords creates an interesting juxtaposition. It calls attention to the severe contrast between violent words and peaceful music. There were critics that argued that Dylan didn't have a powerful singing voice, but the lyrics more than make up for what his vocal chords lack. Professionals have argued that what Dylan says is more important than how he sounds, making him more of a poet than a musician. He left behind a lasting legacy of powerful words and opinions that added to a movement determined to bring peace to the world.

2 comments:

  1. This is a really good analysis! I loved the comment about the juxtaposition of the message and his delivery. I'd be curious as to whether Bob Dylan would have condoned violent words used in place of violent actions, such as a war of negative propaganda instead of an actual war with weapons. Words have power, and Dylan clearly knew that. This dichotomy reminds me somewhat of Dr. Martin Luther King, Jr., who fought violence with peaceful words, and who I believe would have opposed fighting fire with fire even if sung in a soothing voice.

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  2. I enjoyed how you analyzed the mood, tone and (to some degree) diction of the live version of the song. I think you could have analyzed and discussed the diction and quoted specific pieces of Dylan's song to make your analysis even stronger.

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